Loeb Danish Ardt Collection - page 193

catalogue from Gothenburg
, Görel Cavalli-Björkman describes (p.
) how, during his final years,
Hammershøi used a drier colour so that the white appears more chalk-like than formerly, giving the grey
scale “a new resonance.”
A door made flush with the wall, without moldings
1...,183,184,185,186,187,188,189,190,191,192 194,195,196,197,198,199,200,201,202,203,...533
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