Loeb Danish Ardt Collection - page 193

catalogue from Gothenburg

, Görel Cavalli-Björkman describes (p.

) how, during his final years,
Hammershøi used a drier colour so that the white appears more chalk-like than formerly, giving the grey
scale “a new resonance.”
E.F.
¹
A door made flush with the wall, without moldings
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